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William Harnett was born on August 10, 1848 in County Cork, Ireland and was moved to Philadelphia with his family when he was still young. As he grew up, he learned and developed engraving skills and became an engraver of silverware. Because of an interest inside him to study painting, when they moved to New York, he worked for jewelry shops during the day and studied painting at the National Academy of Design at night. He was determined to become a painter and was single-minded to stay with it all his life. Harnett returned to Europe, and his works were appreciated by Europeans and many other people because of their appeal, captivating beauty, and interesting subjects. He practiced tromp l'oeil, seeking to "fool the eye" and to be close to visual reality. One outstanding characteristic of his artworks is that he chose a part of his subject(s) and painted it in a way that it seemed to project out of the painting. Critics referred to this as one of his "compositional tricks". His artworks looked so real that people tried to pick up the dollar bills he painted. Historians say that Harnett's art was undoubtedly influenced by Raphael Peale, his Philadelphia predecessor, and the types of still-lifes he had seen abroad. Some of his paintings were intended to symbolize death and passage of life to remind the viewers of their own mortality. Examples of this were shown in The Banker's Table (1877), Memento Mori(1879), and Munich Still Life(1882). In his artwork, great meticulousness in showing textures was cleverly obvious. This somehow revealed his determination and commitment to art and his still-life paintings, no wonder he was titled as his era's leading tromp l'oeil still-life painter. He transformed his ideas and sensations into paintings that made depicting reality absolutely possible. On his death on Oct. 29, 1892, he left artworks that he never imagined would evolve into more branches of art styles, would influence artists of every succeeding generations, and would help viewers understand the kind of life in the past.
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Another important artist during the decade of the 1870's was Thomas Eakins. He was born on July 25, 1844 in Philadelphia. Unlike Harnett, Eakins' style wasn't influenced by that of any other artists. He strived to become honest in depicting the reality as seen through his eyes. It was his burden to understand and to show a deeper view of American life. He based his styles on his country's everyday scenes. Some examples of the simplicity of his subjects were shown in his artworks such as the Starting Out After Rail (1874), The Biglin Brothers Racing (1873), and Baseball Players Practicing (1875). He faced a lot of criticisms, but the worst issue of his art life was yet to come. The Academy of Fine Arts, where he was working as an art professor, rejected Eakins' paintings of nude people. Eakins innocently viewed body with scientific objectivity and without any malicious ideas. He was not bothered by appearing nude in front of the class. He even encouraged his class and other people to pose nude for his paintings. He wanted to encourage the students to open their minds to ideas of the beauty and unique qualities of human form. Another distinct characteristic some of Eakins' works had was his style of meticulousness in depicting human faces, which was frequently compared and likened to those of Rembrandt because of the dramatic display of an individual's inner truth. Unlike some artists, Eakins had his interesting opinions and point of view of things. He strongly believed that a person's face perfectly reflects his/her personality. Despite the rejections he encountered along the way, he was never dismayed on continuing his career. He continued painting outdoors and enjoyed what he's doing until his death on July 25, 1916. His controversial and spectacular artworks defined him as the strongest, most profound realist in the 19 th to early 20 th century American Art.
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Art is not only about visual arts. In terms of music, America during the late 19th century also produced myriad musical styles such as jigs, folk songs, Christian, and gospel songs. After the American Civil War which resulted to the abolishment of slavery, African American folk musical techniques and instruments became a huge part of mainstream American music. It includes slave songs, church songs, spiritual songs, while blues, jazz, rhythm and blues, rock and roll, soul, hip hop and country music were considered later on. Popular subjects of 1870s songs also included the technological advancements, women's suffrage, temperance, home, family, mother, love and death. Instruments such as banjo, of African origin, were greatly enjoyed during this period. Later on, many forms of music and other types of American art would be influenced by other nations as immigration after the American Civil War continued to surge throughout the United States.
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